The following is David Lewis's characterization of philosophy:
One comes to philosophy already endowed with a stock of opinions. It is not the business of philosophy either to undermine or to justify these preexisting opinions, to any great extent, but only to try to discover ways of expanding them into an orderly system. [...] There is some give-and-take, but not too much: some of us sometimes change our minds on some points of common opinion, if they conflict irremediably with a doctrine that commands our belief by its systematic beauty and its agreement with more important common opinions. (Counterfactuals, p.88)
I am not sure what to make of it. On the one hand, this goes against my conviction that philosophy is by nature self-critical; on the other hand, I have to admit that what Lewis says is true of many philosophers, including himself.
Compare this with the following passage by Foucault:
After all, what would be the value of the passion for knowledge if it resulted only in a certain amount of knowledgeableness and not, in one way or another and to the extent possible, in the knower's straying afield of himself? There are times in life when the question of knowing if one can think differently than one thinks, and perceive differently than one sees, is absolutely necessary if one is to go on looking and reflecting at all. [...] what is philosophy today --- philosophical activity, I mean --- if it is not the critical work that thought brings to bear on itself? In what does it consist, if not the endeavor to know how and to what extent it might be possible to think differently, instead of legitimating what is already known? (The Use of Pleasure, p.8)
I find myself agreeing with Foucault, though I am not sure to what extent philosophical reflection can change one's fundamental world view. Yes, "to the extent possible", but what is that extent? So, this is inspirational, but I am not sure how true it is of actual philosophers.
I am torn between these two views of philosophy.
6/22/2010
6/16/2010
How to read Foucault
I had read a few introductory books on Foucault and did not find any of them very helpful. Yesterday I picked up this one by Jonanna Oksala, entitled How to Read Foucault. and liked it immediately after reading just the first two chapters. It is one of the books in the "How to Read" series published by WW Norton & Company, all of which are fairly short (just around 100 pages).
The book is very clearly written and informative, but what I was most impressed with so far is how quickly it succeeds in presenting Foucault as an intriguing and important thinker. Some of the things it highlights are instructive as to how one should read Foucault's writings. Here is an example:
Foucault once noted in an interview that, while there were truth books and demonstration books, his books were experience books. By this he meant that the experience of reading potentially changed the reader and prevented him from 'always being the same or from having the same relation with things and with others'. (p.24)
This is actually Foucault's own advice, and I am glad that I saw this in Oksala's book before I start to read Foucault's writings.
The book is very clearly written and informative, but what I was most impressed with so far is how quickly it succeeds in presenting Foucault as an intriguing and important thinker. Some of the things it highlights are instructive as to how one should read Foucault's writings. Here is an example:
Foucault once noted in an interview that, while there were truth books and demonstration books, his books were experience books. By this he meant that the experience of reading potentially changed the reader and prevented him from 'always being the same or from having the same relation with things and with others'. (p.24)
This is actually Foucault's own advice, and I am glad that I saw this in Oksala's book before I start to read Foucault's writings.
6/13/2010
Kundera's definition of novel
Here is how Kundera defines "novel" in his The Art of Novel :
The great prose form in which an author thoroughly explores, by means of experimental selves (characters), some great themes of existence.
I like this definition, particularly the idea that characters in a novel are the author's experimental selves.
The great prose form in which an author thoroughly explores, by means of experimental selves (characters), some great themes of existence.
I like this definition, particularly the idea that characters in a novel are the author's experimental selves.
6/02/2010
The paradox of tolerance
It is a truism that anyone who is tolerant is against intolerance. This truism will, however, turn into an apparent paradox if it is put this way: anyone who is tolerant is intolerant of intolerance. It seems that a tolerant person is necessarily intolerant in some respect, and this is supposed to be paradoxical.
I am not sure I understand why this is paradoxical. First of all, it is not clear that a tolerant person has to be tolerant of everything. Tolerance is a matter of degree. Perhaps we have to say that a tolerant person who is intolerant of intolerance is not completely or perfectly tolerant, but it is not paradoxical to say so. Secondly, we may distinguish between reasonable tolerance and unreasonable tolerance, and hold that tolerance of intolerance is unreasonable, and hence that it is all right for a tolerant person to be intolerant of intolerance.
In any case, I doubt that the truism that anyone who is tolerant is against intolerance is equivalent to the apparently paradoxical claim that anyone who is tolerant is intolerant of intolerance. To be tolerant of a view, a value, or an action, one does not have to accept it or agree with it; one only has to refrain from trying to suppress it or interfere with it. So it is possible for one to be against something and still be tolerant of it. I am, for example, against religion, but I am certainly tolerant of it.
The truism is thus not paradoxical, and the apparently paradoxical claim does not seem true. So, where is the paradox?
I am not sure I understand why this is paradoxical. First of all, it is not clear that a tolerant person has to be tolerant of everything. Tolerance is a matter of degree. Perhaps we have to say that a tolerant person who is intolerant of intolerance is not completely or perfectly tolerant, but it is not paradoxical to say so. Secondly, we may distinguish between reasonable tolerance and unreasonable tolerance, and hold that tolerance of intolerance is unreasonable, and hence that it is all right for a tolerant person to be intolerant of intolerance.
In any case, I doubt that the truism that anyone who is tolerant is against intolerance is equivalent to the apparently paradoxical claim that anyone who is tolerant is intolerant of intolerance. To be tolerant of a view, a value, or an action, one does not have to accept it or agree with it; one only has to refrain from trying to suppress it or interfere with it. So it is possible for one to be against something and still be tolerant of it. I am, for example, against religion, but I am certainly tolerant of it.
The truism is thus not paradoxical, and the apparently paradoxical claim does not seem true. So, where is the paradox?
5/24/2010
Hume's best remark on religion and philosophy
Yesterday I had to reread the conclusion of Book I of Hume's A Treatise of Human Nature and saw this wonderful remark on religion and philosophy:
Generally speaking, the errors in religion are dangerous; those in philosophy only ridiculous.
I certainly had read this remark before and liked it, but I didn't remember it. So when I was rereading it, it was as if I was reading it the first time and I was able to experience anew the feeling of being deeply impressed. It was a wonderful feeling.
Generally speaking, the errors in religion are dangerous; those in philosophy only ridiculous.
I certainly had read this remark before and liked it, but I didn't remember it. So when I was rereading it, it was as if I was reading it the first time and I was able to experience anew the feeling of being deeply impressed. It was a wonderful feeling.
5/18/2010
Berkeley's reminder
Lately I have been thinking a lot about Berkeley's famous remark on philosophy:
We have first raised a dust and then complain we cannot see.
I have become more and more convinced that most published philosophy nowadays, probably including my own writings, fits this description.
I am suffering from intellectual self-doubt; what I doubt is not my intellectual abilities, but my intellectual activities and their products. I am feeling a bit lost; I need a new direction.
We have first raised a dust and then complain we cannot see.
I have become more and more convinced that most published philosophy nowadays, probably including my own writings, fits this description.
I am suffering from intellectual self-doubt; what I doubt is not my intellectual abilities, but my intellectual activities and their products. I am feeling a bit lost; I need a new direction.
5/06/2010
Polygamy and infidelity
Adam Phillips again. Here is what he says about monogamy that I find quite interesting:
Like a magnet that collects our virtues and vices, monogamy makes the larger abstractions real, as religion once did. Faith, hope, trust, morality; these are domestic matters now. Indeed, we contrast monogamy not with bigamy or polygamy but with infidelity, because it is our secular religion. God may be dead, but the faithful couple won't lie down. (Monogamy, p.10)
There are indeed people whose understanding of monogamy comes from their religion, but Phillips are not talking about them. What he suggests is that people, including (or particularly) those who do not have a religion, need monogamy the way they need religion.
This sounds to me an exaggeration. I do think, however, he is right that we contrast monogamy with infidelity. This raises a question: How is infidelity in polygamy different from infidelity in monogamy? In polygamy, when the husband (or the wife if it is polyandry) is unfaithful, he is unfaithful to more than one person. Is it worse than, or not as bad as, being unfaithful to just one person as in the case of infidelity in monogamy? Conversely, when one of the wives is unfaithful, can we say that she is unfaithful only to part of the husband because she shares him with his other wives? If we can say that, should we also say that her infidelity is not as bad as that in monogamy?
Like a magnet that collects our virtues and vices, monogamy makes the larger abstractions real, as religion once did. Faith, hope, trust, morality; these are domestic matters now. Indeed, we contrast monogamy not with bigamy or polygamy but with infidelity, because it is our secular religion. God may be dead, but the faithful couple won't lie down. (Monogamy, p.10)
There are indeed people whose understanding of monogamy comes from their religion, but Phillips are not talking about them. What he suggests is that people, including (or particularly) those who do not have a religion, need monogamy the way they need religion.
This sounds to me an exaggeration. I do think, however, he is right that we contrast monogamy with infidelity. This raises a question: How is infidelity in polygamy different from infidelity in monogamy? In polygamy, when the husband (or the wife if it is polyandry) is unfaithful, he is unfaithful to more than one person. Is it worse than, or not as bad as, being unfaithful to just one person as in the case of infidelity in monogamy? Conversely, when one of the wives is unfaithful, can we say that she is unfaithful only to part of the husband because she shares him with his other wives? If we can say that, should we also say that her infidelity is not as bad as that in monogamy?
4/26/2010
John Cage and literal meaning
I read the following story in Adam Phillips's Darwin's Worms:
John Cage tells the story somewhere of going to a concert of music composed by a friend of his. The composer had also written the programme notes for the music in which he said, among other things, that he hoped his music might go some way to diminishing the suffering in the world. After the concert his friend asked him what he thought of the event and Cage answered, "I love the music but I hated the programme notes." "But don't you think there's too much suffering in the world?" the friend asked, obviously put out. "No," Cage replied, "I think there's just the right amount."
Perhaps Cage really thought there is just the right amount of suffering in the world; perhaps he was one of those who think the amount of suffering in the world is just the amount that God allows. But suppose he did not think that. In that case he did not literally mean what he said, but he sill managed to express what he wanted to express. And it is this reading of what he said that makes the story interesting.
So what did Cage express? Well, we can understand what he expressed differently. I think what he meant to express was that it is not the job of music to diminish the suffering in the world. However, if he had said, "It's not the job of music to diminish the suffering in the world,", he would not have expressed what he wanted to express in the way he wanted to express it, and the effect of his words would have been different.
John Cage tells the story somewhere of going to a concert of music composed by a friend of his. The composer had also written the programme notes for the music in which he said, among other things, that he hoped his music might go some way to diminishing the suffering in the world. After the concert his friend asked him what he thought of the event and Cage answered, "I love the music but I hated the programme notes." "But don't you think there's too much suffering in the world?" the friend asked, obviously put out. "No," Cage replied, "I think there's just the right amount."
Perhaps Cage really thought there is just the right amount of suffering in the world; perhaps he was one of those who think the amount of suffering in the world is just the amount that God allows. But suppose he did not think that. In that case he did not literally mean what he said, but he sill managed to express what he wanted to express. And it is this reading of what he said that makes the story interesting.
So what did Cage express? Well, we can understand what he expressed differently. I think what he meant to express was that it is not the job of music to diminish the suffering in the world. However, if he had said, "It's not the job of music to diminish the suffering in the world,", he would not have expressed what he wanted to express in the way he wanted to express it, and the effect of his words would have been different.
4/12/2010
A Buddhist story
Yesterday I came across a Buddhist story that I found strangely moving:
A monk set off on a long pilgrimage to find the Buddha. He devoted many years to his search until he finally reached the land where the Buddha was said to live. While crossing the river to this country, the monk looked around as the boatman rowed. He noticed something floating towards them. As it got closer, he realized that it was the corpse of a person. When it drifted so close that he could almost touch it, he suddenly recognized the dead body --- it was his own! He lost all control and wailed at the sight of himself, still and lifeless, drifting along the river's currents. That moment was the beginning of his liberation.
After reading the story, the image of the man seeing his own dead body got stuck in my head for a long time. I don't know why.
A monk set off on a long pilgrimage to find the Buddha. He devoted many years to his search until he finally reached the land where the Buddha was said to live. While crossing the river to this country, the monk looked around as the boatman rowed. He noticed something floating towards them. As it got closer, he realized that it was the corpse of a person. When it drifted so close that he could almost touch it, he suddenly recognized the dead body --- it was his own! He lost all control and wailed at the sight of himself, still and lifeless, drifting along the river's currents. That moment was the beginning of his liberation.
After reading the story, the image of the man seeing his own dead body got stuck in my head for a long time. I don't know why.
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